影片《13 个雪莉：现实的幻象》用美国画家爱德华•霍普的 13 幅绝世名画构成了美国社会历史的现实风景，而历史正是由无数的个人故事所书写的——雪莉，一个美国女性的缩影，她走进霍普的画作，走过美国 20 世纪的重大历史时刻，见证政治、社会和文化等各层面的剧变：从珍珠港事变到第二次世界大战、从麦卡锡时代和冷战到肯尼迪总统遇刺身亡和越战爆发、从股市崩盘到经济萧条、从猫王埃尔维斯•普利斯莱和摇滚乐到马龙•白兰度和玛丽莲•梦露…… 　　爱德华•霍普的绘画作品受“黑色电影”流派影响，相应的也影响了希区柯克、贾木许、文德斯等电影导演的创作。本片导演古斯塔夫•德池敏锐地捕捉到霍普的绘画与电影艺术之间的关联，精选霍普的 13 幅生活风景画作，以绘画与电影的对话为主轴，加以现实的叙述，用绘画、现实和影像组合出新的电影语言，利用灯光、颜色和音乐建构出剧场化的体验。宏大的议题倚托几近静止的精美画面，借用雪莉段落式的内心独白，以女性视角解读美国历史，书写出一篇新世纪美国女性的独立宣言，是美国文化前进的齿轮印记。

This is the first documentary film on the International College of Philosophy (Collège 　　international de Philosophie: CIPH), founded by, among others, Jacques Derrida and 　　François Châtelet in 1983 in Paris. The film consists of interviews with former presidents 　　Michel Deguy, François Noudelmann and Bruno Clément, current vice-president Boyan 　　Manchev, and with former and current program directors Catherine Malabou, Francisco 　　Naishtat and Gisèle Berkman. The aim of this film is to consider the possibilities of the 　　humanities in general and philosophy in particular under the current conditions of global 　　capitalism. One of the main themes it tries to develop is the "question of the institution", 　　namely the relationship between philosophy and institutions—a topic that was very central 　　for deconstruction as elaborated and practiced by Derrida. 　　参见：http://todai-yale.jp/from_tyi/news/film09_en.html

一场足球赛、一次抢劫、一张婚纱照，足以构成日常生活中的荒诞。这部短片，用现实主义手法记录了城市中一天发生的事件，但其内核却宛如卡夫卡的经典小说《变形记》，男主角仅凭自己的力量对抗怪诞的世界。观众会对片中处于现代化与农业社会之间的世界倍感熟悉。本片入选2020年威尼斯电影节地平线短片单元。

全国から寄せられた恐怖体験を映像化した心霊ドキュメントシリーズ第2弾。アイドルの生放送で霊が巻き起こす恐怖を描く「インターネット生放送に潜む霊」、公園で起こった悲劇を描く「人形ババア」ほか、選りすぐりの恐怖体験全6話を収録する。

这是一部关于一群孤儿成长的影片，导演跟拍了十二年。确切的说，这些孩子是兄弟，童年给了他们残酷的记忆，被父母遗弃，被同学歧视，被社会漠视，他们在艰苦的岁月中野生野长着。 　　如今他们长大成人了，政府给了他们舒适的生活环境和就业环境，新来的女院长也让他们感受到了前所未有的关怀和温暖，他们在各自的生活轨迹中，找到了自己的位置。然而，他们又卷入新一轮竞争当中。童年共患难的兄弟们长大后是否可以延续手足情，也是影片纪录的主要部分。 　　这部影片是导演杨荔钠与法德ARTE电视台合作作品。

这是一部关于一群孤儿成长的影片，导演跟拍了十二年。确切的说，这些孩子是兄弟，童年给了他们残酷的记忆，被父母遗弃，被同学歧视，被社会漠视，他们在艰苦的岁月中野生野长着。 　　如今他们长大成人了，政府给了他们舒适的生活环境和就业环境，新来的女院长也让他们感受到了前所未有的关怀和温暖，他们在各自的生活轨迹中，找到了自己的位置。然而，他们又卷入新一轮竞争当中。童年共患难的兄弟们长大后是否可以延续手足情，也是影片纪录的主要部分。 　　这部影片是导演杨荔钠与法德ARTE电视台合作作品。

暑假的長洲是鬧市外的一片樂土，三個小孩一隻狗，趁着島上居民出門旅遊或舉家移民，偷偷闖進不同人的家中，玩樂之餘，也透過孩童的目光，暗中破獲了成年人世界的秘密。 　　直至暑假結束，三個站在成長交叉點的孩子，也迎來了截然不同的命運⋯⋯

River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.

River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.

16岁裴野在生日当天，因生母与继父车祸双亡，被迫与继父的女儿桑晚（22岁）共同生活。桑晚成为其法定监护人，两人在拮据环境中相依为命。